Inside the Mossad (TV Series)
"Imperfect Spies – an apt twist on le Carre’s novel A Perfect Spy – does indeed tell the story of what life is like for people working in an unusual and deeply flawed profession."
Modern Times Review
"An interesting and illuminating series"
The Times of Israel
Read StorylineThe three Darwish brothers, who immigrated from Iraq to Israel in the 50’s, established the family factory “Fantasia” - a menorah factory. For a time period of 50 years they designed, manufactured and shipped Chanukah menorahs for the entire world and now…the family factory is about to close down. From this point in time, the director, who is the son of the youngest brother, is starting to embark on a journey that unravels the history of his family, going back 100 years. The story weaves memories from Iraq and Israel - two homelands, two languages, two identities, two enemies. The director is trying to reconstruct the narrative of his family, a narrative that has disappeared in the silence and shame that followed the family move to Israel. The father’s silence is finally broken by the director’s relentless inquiries, which reveal a story about 5 lost years of his father in the Iraqi prison. It is a diary film shot over a period of 10 years.
Documentary | Israel | 2018
4 X 50 minute series
Subtitles: Hebrew, English
Many times, something that you see or hear intrigues you, so you start digging a little and suddenly you find a story that you must tell. And then you find yourself invested in a project for years, which was only begun by chance, innocent and unintentional curiosity. That's how it was with the Mossad series.
All of the Mossad's spies are unnamed heroes and this is what attracts me to a project. So, obviously I wanted to make it. I also realized that there has never been a series about the psychological apparatus of Mossad agents, which is of course a “sexy” subject. In retrospect, the idea to make a series like this, encouraging more than twenty Mossad agents, who live in the shadows, to talk in front of a camera, was quite naive. There was a certain kind of innocence and lack of awareness of what it meant and how complex it would be. But it worked out in the end. From the material we shot, we made a ninety-minute film and a four-episode series. The film was screened on Arte Germany and France successfully. When it aired on HOT8, it became the most watched series they ever had. Then Netflix bought it and brought it to viewers everywhere in the world.
Director: Duki Dror
Producers: Liat Kamai Eshed & Duki Dror
Script: Yossi Melman, Chen Shelach,
Cinematography: Ron Katzenelson
Editor: Dror Yaakobovitz
Original Music: Tom Darom, Assa Raviv